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Keep reading for all the latest developments on the Geraldine Sculpture Trail

In the loop – June 2024

Hi everyone, Winter is truly here, not necessarily marked by the snow on the mountains but certainly by the number of frosts we’ve experienced, bird feeders hanging in the trees, firewood piles, and limited sun to dry clothes.

Let’s turn our attention to brighter things – sculptures. The teams have been focused on standardising documents, contracts, agreements, et cetera; talking with established entities like the Wellington Sculpture Trust and Tai Tapu Sculpture Garden; attending presentations and discussions; building relationships with artists; attending exhibitions; visiting potential donors; and much, much more.

While each achievement we’ve made so far has brought excitement, patience, and a little frustration at times, not to mention wonderful feelings of satisfaction, if I am honest, getting into focus around sculptures is probably the most exciting stage and potentially what we will be applauded or criticised for the most. And that’s okay as art is all about the experience, and that is truly up to the individual. Evoking emotions, love, or dislike for a piece, this will be talked about, and debated, and that is fun. There is no right or wrong, the works will be what they are. Big, small, obscure, or weird – it’s all art.

Please know we are doing our best to bring diverse and memorable works to the trail. However, as with all good things, this takes time. We ask for your patience while we work through the hurdles. The challenge: can we deliver on our promise to make the Geraldine Sculpture Trail unique in New Zealand? To spark your interest, I’d like to share some art. These may not be the sculptures you’ll see on the trail, but they serve as a starting point for a conversation about the unique nature of our project.

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ROSIE

Recent articles

Trevor Askin

Trevor Askin has been sculpting since 1980 and works from his own studio, foundry, and gallery. Initially focused on representational sculpture, he developed his signature curvilinear style—free-flowing bronze forms that are individually cast using the lost wax method. His work ranges from uplifting and whimsical to deeply expressive pieces reflecting human emotion. An elected Artist Member of the New Zealand Academy of Fine Arts, Askin has completed major public commissions, including the Paper-boy in Timaru and the Blacksmith at Orari. His sculptures are held in collections across New Zealand and internationally.

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Iain Cheeseman

Iain Cheesman is an artist whose work bridges sculpture, painting, poetry, and drawing, often infused with subtle humour. His handmade pieces invite reflection beyond an initial response, gradually revealing deeper themes. Using diverse materials across different series, Cheesman’s art is united by the visible mark of the maker’s hand.

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Fiona Garlick

Born in England, Fiona lived in Kenya and Zimbabwe before moving to New Zealand in 1976. Her sculptures often explore place, identity, and colonialism, drawing inspiration from the land and sea.

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